"Being Seventeen," 2014. 10"x14" letterpress print with reduction woodcut, edition of 30. (Documentation of process)

"The Collective Noun for Corpse is Community," 2014. 12"x12" letterpress print. Hand set type and woodcut print incorporating both conventional and monoprint-inspired water-based processes. Edition of 50 (albeit with significant variation due to technique). Intended to be considered with my book "Unclaimed Bodies," about the Jonestown massacre memorial site in Oakland, CA. (Documentation of process)

“LET JUSTICE BE DONE THOUGH THE HEAVENS FALL,” 2015. Letterpress print from polymer plate & hand set metal type, 7″x11″, silver and blue on white Crane Lettra. Edition of 20. (Documentation of process)

"Fictional Stealth Technology," 2014. 8.5"x11" letterpress print. Letterpress print with hand set type and reduction woodcut, edition of 15. (Documentation of process)

"Resource War," 2014. 12"x18" letterpress print with hand-inked wood type and ornament, edition of 20. (Documentation of variety)

"Not For Long," 2014. 10"x14" letterpress print with polymer plate from newspaper collage, edition of 15. (Documentation of process)

"May Day: The Original Workers Holiday," 2014. 16"x18" letterpress print with wood type, ornament, split fountain, printed as part of a live demo on May Day 2014 at Eucalyptus Press, Mills College. Edition of 50. (Documentation of process)

"Sonnet for the Studio Director," 2013. 8.5"x10" letterpress print of original poem in tribute to the stewards of the studio, hand set type and ornament on Crane Lettra, edition of 50. (Documentation of process)

"No Linear Fucking Time," 2013. 12.5"x19" letterpress print with wood type and ornaments, edition of 100. (Documentation of first edition)